The best Akira Murayama’s fantasy movies

In Siberia, Hyōga saves a man that is being attacked. Injured, the man manages only to say something about Asgard. Some days later, Saori, Seiya, Shiryū and Shun are wondering about Hyōga and decide to go to Asgard to investigate. At Valhalla, the Lord of Asgard, Dolbar, says he has not heard of any Hyōga and neither has his right hand, Loki. However, at all times Seiya and the others can feel an evil cosmo emanating from Loki and the other Odin Saints called God Warriors. Shiryū, in particular, notices a familiar cosmo coming from Midgard, a mysterious, masked God Warrior. Dolbar makes it clear that he is trying to take control of both Asgard and the Sanctuary, imprisoning Athena in a strange dimension within the giant statue of Odin. Midgard reveals himself as Hyōga and tries to kill Shiryū to prove himself to Dolbar. Thus, it is the task of the Bronze Saints to defeat Dolbar, Loki and the rest of the God Warriors, to save Athena and Hyōga.

As the perpetually lecherous Ataru and his friends prepare for a carnival at Tomobiki High School, they gradually realize the days are literally repeating themselves. Any effort to break the pattern dumps them back where they started.

The basic plot is centered on the great cherry tree Tarōzakura and what happens after it is cut down during the making of a movie, Lum loses her horns-and her powers! Thus begins the strangest and most lyrical of the Urusei Yatsura movies. The fourth film is the subject of much debate, as it is probably the hardest of all the Urusei Yatsura films to fully understand. Many consider it to be a multi-layered masterpiece, while others feel it is little more than a confused and rambling mess.

The third film finds Ataru transformed into a pink hippopotamus, which sends Lum chasing after the wicked magician responsible, with catastrophic results. With Lum gone, her friends decide that there is no reason to remain, and so Tomobiki slowly returns to normal. The highlight of the film is a high speed chase scene with an angry Lum flying after the mysterious Ruu through the city at night and into a hall of mirrors (and illusion ). Ataru's true feelings for Lum are probably more obvious in this film than any of the others.

The hero, Prince Siegfried, is out riding one day with his friends when he spies amidst swans on a lake a particularly eye-catching one with a crown on its head, the familiar Princess ...