The best Akiji Kobayashi’s history movies

Akiji Kobayashi

Akiji Kobayashi

06/09/1930- 27/08/1996
If you love cinema, you will share this ranking of the best Akiji Kobayashi’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Akiji Kobayashi.

Harakiri

Harakiri
8.6/10
Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

The Human Condition II: Road to Eternity

The Human Condition II: Road to Eternity
8.5/10
Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

Run, Melos!

Run, Melos!
7.3/10
The movie tells the story of Melos, a Greek country man that gets arrested and accused of conspiracy against the king. He gets three days to travel to his sister's wedding while Selinentius (Selinae), a genius sculptor that Melos just met stays as a hostage. As opposed to Osamu Dazai's original story, Melos is here innocent of the conspiracy accusation.

Like the Clouds, Like the Wind

Like the Clouds, Like the Wind
6.5/10
Ginga is a simple—yet energetic—country girl, living with her father far from the capital city of the empire in ancient China. When she learns of an opportunity to become a concubine of the young new Emperor, with the possibility of becoming his head wife in charge of all of the other wives, Ginga convinces her father to let her go. Once there, she meets all of the other potential head wives, each of whom have various reasons for being there. All of them must learn to read and write, learn the history of their country, and learn the proper mannerisms for being in the royal court. Ginga's enthusiasm tends to get her in trouble more often than not, but it works to her advantage when they learn that the former emperor's head wife, who is not the mother of the current emperor, is plotting treachery against the new emperor, and that a rebellion is headed toward the capital.

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