The best Akihiko Hirata’s romance movies

Akihiko Hirata

Akihiko Hirata

26/12/1927- 25/07/1984
If you love cinema, you will share this ranking of the best Akihiko Hirata’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Akihiko Hirata.

Samurai III: Duel at Ganryu Island

Samurai III: Duel at Ganryu Island
7.5/10
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

Farewell Rabaul

Farewell Rabaul
7.7/10
  • Genre: RomanceWar
  • Release: 10/02/1954
  • Character: First lieutenant Noguchi
This is a film about a Naval Air Corps Director who hates the war. Director Honda uses this film to ask the question "What is war?", showing the human bonds between Japan and America, Japanese military tactics which had little regard for life, and the attitude of Japanese military personnel who treated their actions as if they were just doing a job. This film contains few battle scenes, concentrating instead on the love stories of young officers and female members of the community in this lonely air base.

The Last Embrace

The Last Embrace
7/10
Yukiko Nogami is rescued during a mountain blizzard by handsome forester Shinkichi, and the two subsequently fall in love. But when Shinkichi dies in an avalanche, Yukiko leaves the mountains in despair and takes a job in a bar where she becomes deeply involved in the personal lives of several of the patrons. One day she thinks she sees Shinkichi alive, but it turns out to be a gangster named Hayakawa, a man on the run who bears an astonishing resemblance to Yukiko's lost love. Against her better judgment, she is drawn to help Hayakawa, though clearly danger follows him.

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