The best Ai Hashimoto’s movies

Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human's, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn't see why.

Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human's, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn't see why.

A psychological thriller of a grieving mother turned cold-blooded avenger with a twisty master plan to pay back those who were responsible for her daughter's death.

Akane is a high school teacher who hears a rumor from her students that there is actual footage on the Internet of someone's suicide. The footage is said to drive anyone who sees it to also commit suicide. Akane does not believe the rumor at first, but when one of her female students dies after viewing the footage, she and her boyfriend Takanori are fatefully drawn into the horror that has been created by the man who appears in the suicide footage, Kashiwada. Kashiwada's intention is to create chaos in the world by bringing back Sadako and the power of her curse. Now Akane has to fight against Sadako and Kashiwada to save the lives of herself and Takanori.

Abandoned by her mother, young Ichiko leaves her life in the city to live off the land in Komori, a small town nestled among the mountains in rural Japan. Despite the void left by her mother’s disappearance, Ichiko comes to enjoy her independence and revels in her new-found connection with food and the elements. Visually luxuriant, this film follows Ichiko through one summer and autumn, as she learns to use and respect the time-honoured wisdom of rural folk and read the cycle of life and connectedness in the environment around her.

Ichiko (Ai Hashimoto) lived in a big city, but goes back to her small hometown Komori, located on a mountain in the Tohoku region. She is self-sufficient. Ichiko gains energy living among nature and eating foods she makes from seasonal ingredients.

After a chain of deaths at a junior high school, new transfer student Koichi Sakakibara turns to a mysterious girl who holds the key to the dark mystery.

A story about the disappearance of Kirishima, a star athlete of the volleyball club, and how his disappearance affects every person in school.

When Koichi Takahasi (Miutani) is transferred from Tokyo to a small village in Iwate Prefecture, they set up hoe in a two-hundred year-old farmhouse. The family is split between those who hate the move and those who are happy. Fumiko (Yasuda), the wife, is unhappy at the change and doesn’t get on with her elderly neighbours, Azumi (Hashimoto) is sad about having to transfer to a new school. Koichi’s mother, Sumiyo (Kusabue), rather likes the new community while young Tomoya Takahashi (Hamada) really enjoys the new move because he can play outdoors. Koichi takes note of the split in the family but finds himself struggling at his new job. Thankfully the house has Zashiki Warashi (yokai) living there who will unite them with their antics. Judging by the poster these antics won’t be terrifying.

When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.

Jun is a university student. She meets high school student Haru. To Jun, Haru looks just like Sachiko who was the girlfriend of her now deceased father. Jun and Haru meet Tokio. Tokio is the grandson of Sachiko and they learn that Sachiko is now deceased. They find an open-reel tape from Sachiko's articles.

15 short films with an animated end-title sequence by young women directors born in late ‘80s to ‘90s.

Two girls dream of the same man. One remained in their hometown, went with Shiina and wants to revisit the happy times with him again. The other moved away, returned to move back in with her parents and establishes contact with Shiina and other friends. It may be that either a rivalry or a triangle is in the offing.

A family believes they are aliens from other planets and tries to save Earth from impending calamity.

High school student Ayumi is trained by his grandmother to act as a "tsunagu," an intermediary for people who want to reach the dead.

Although Nobuyoshi and Saki just got married and moved into a new apartment, their relationship still lacks spark. Things start to change as they meet a weird fortune-teller who also happens to operate tours to hell. Without further ado the young couple books a honeymoon trip which takes them to the most bizarre, colorful and fun vision of hell you could ever dream of.

Mitsuko Kuroda is 31-years-old and single. She enjoys her life as a single woman. A big reason why she enjoys her single life is that she has counsellor "A" in her mind, which is her other self. Whenever she does not know what do, "A" gives her the right answers. She believes her happy and peaceful single life with "A" will continue, but she falls in love with Tada-kun (Kento Hayashi). He is a salesperson and younger than her. --asianwiki

Kurumi is hired at a high-end hotel, but is instead dispatched to work at fun fair that is connected to the business network. The new work is out in the country and there is not much else to do or places to go. The go-to employee is one Yoshiko. Kurumi wants to be successful and valued and is eager to learn from Yoshiko. All is not as it seems on the surface however.

When Yuko Takeuchi’s unnamed novelist receives a letter from Kubo, her interest is piqued by the strange sweeping sounds that the latter hears in the dead of night. On further investigation, the amateur sleuths discover that nobody stays in Kubo’s building for long, and many previous tenants have died in mysterious and gruesome circumstances. It’s clear that the noises barely scratch the surface of the malevolent forces at work.