The best Afarin Obeisi’s movies

Afarin Obeisi

Afarin Obeisi

13/03/1952 (72 años)
Today we present the best Afarin Obeisi’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Afarin Obeisi’s movies.

The Willow Tree

The Willow Tree
7.3/10
  • Genre: Drama
  • Release: 01/01/2005
  • Character: Mother
Youssef, a blind university professor, is suddenly diagnosed with a fatal disease and must undergo treatment in France. Back home, will he find the life he had before?

Qadamgah

Qadamgah
5.8/10
  • Genre: Drama
  • Release: 23/12/2004
When sees a dream Rahman gets back to his village to find the truth about his life and his family but the villagers are not willing to tell him the truth.

The Ring-necked Dove

The Ring-necked Dove
6.5/10
  • Genre: Drama
  • Release: 21/03/1970
  • Character: Tooba
There is an old saying in Farsi, "if you catch a Toughi to keep, it will bring bad omens to the members of the family". ...And that's what happens to a very close nit family when Toghi is ...

Unruled Paper

Unruled Paper
6.8/10
Unruled Paper is a 2002 Iranian film directed by Naser Taghva'i, based on an original script by Naser Taghva'i and Minoo Farsh'chi. The film was produced in 2001 by Yekta Film.

کاکو

کاکو
6.3/10
  • Character: Gohar

Leyli and Majnoon

Leyli and Majnoon
6.7/10
  • Genre: Drama
  • Release: 01/01/1970

Pol

Pol
5.7/10
Jalal who is a locomotive driver meets a girl Shirin in a village and falls in love with her. They decide to get marry but in the way back he has an accident. He get injured very badly but ...

The Hidden Half

The Hidden Half
6.9/10
  • Genre: Drama
  • Release: 06/02/2001
An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

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