The best Adriano Cornelli’s movies
Today we present the best Adriano Cornelli’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Adriano Cornelli’s movies.
Sweet Teen
6.1/10
A middle-age businessman marries a much younger woman, but is still carrying on with his sexy secretary. He somehow still has the energy, however, to lust after his wife's visiting young niece...
Boot Hill
5.5/10
Victims of oppressive town boss Honey are offered help by an unusual alliance of gunmen and circus performers
The Corsairs
5.3/10
After the death of her father, the viceroy of a small Caribean island, the beautiful young Isabella is in a big danger. The crafty duke of Burt wants to grab the power on the isle so he decides to eliminate her. Fortunately then comes a group of pirates stranded after a shipwreck. Their leader is the brave and bold Alan Drake. The pirates are hired to protect Isabella and the adventure begins.
The Christmas That Almost Wasn't
3.5/10
Sam Whipple, an attorney in once-upon-a-time-land, is startled to receive a visit from Santa Claus shortly before Christmas. It seems that when he was a child, Sam wrote a letter thanking Santa for the presents he'd received, and offering to return the favor someday. That day is now - a mean old soul named Phineas Prune, who holds the deed to the North Pole, is demanding back rent. Otherwise, he's going to evict Santa, Mrs. Claus and the elves and take all the Christmas toys. It's up to Sam and Santa to find a way to pay off Prune and prevent Christmas from being canceled.
The Man Who Laughs
4.5/10
A 1966 French-Italian film version made in Italy, titled L'uomo che ride, directed by Sergio Corbucci. This version features elaborate colour photography but a very low production budget. The main action is shifted to Italy and moved yesterwards in time, with the deformed protagonist meeting Lucrezia Borgia instead of Queen Anne. In this version, Gwynplaine is renamed Angelo (played by Jean Sorel). His disfigurement is represented as a single broad slash across his mouth, crude yet convincing. The story (which is attributed, in the movie credits, to the director, producer and others involved in making the film, but not to Victor Hugo) is a swashbuckler pitting the disfigured acrobat against the henchmen of the Borgias. At the end, Dea (actress Lina Sini) miraculously acquires her eyesight and Angelo undergoes surgery that completely reverses his disfigurement and renders him perfectly handsome.
