The best Adjoa Andoh’s movies
If you love cinema, you will share this ranking of the best Adjoa Andoh’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Adjoa Andoh.
Fractured
6.5/10
Driving cross-country, Ray and his wife and daughter stop at a highway rest area where his daughter falls and breaks her arm. After a frantic rush to the hospital and a clash with the check-in nurse, Ray is finally able to get her to a doctor. While the wife and daughter go downstairs for an MRI, Ray, exhausted, passes out in a chair in the lobby. Upon waking up, they have no record or knowledge of Ray's family ever being checked in.
Invictus
7.3/10
Newly elected President Nelson Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa's rugby team as they make their historic run to the 1995 Rugby World Cup Championship match.
Brotherhood
6/10
First there was Kidulthood then Adulthood now comes Noel Clarkes last installment brotherhood With Sam facing up to the new world he realizes it also comes with new problems and new challenges that he must face that he knows will require old friends to help him survive new dangers.
Adulthood
6.6/10
After serving six years for killing his schoolmate, a young man learns that someone is out for revenge.
Brighton
4.9/10
Two working class couples go on a day trip to Brighton which ends in disaster.
A Rather English Marriage
7.7/10
A squadron leader and a retired milkman decide to bury their differences and move in together after they are both widowed on the very same night. They become a companionable if odd couple, until their unlikely friendship is threatened by the arrival of an alluring woman with a hidden agenda.
In the Dark Half
5.4/10
A teenage girl comes to terms with the unexplained death of the boy next door.
National Theatre Live: Les Liaisons Dangereuses
7.9/10
Marquise de Merteuil, former lover of Vicomte de Valmont, incites him to corrupt the innocent Cécile de Volanges before her wedding night, but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel.
Richard II
Beset by problems at home and abroad, a capricious king is forced to relinquish his ‘hollow crown’. As his supporters abandon him and his power trickles away, Richard reflects with startling eloquence on the disintegration of his status and identity. Adjoa Andoh and Lynette Linton direct the first ever company of women of colour in a Shakespeare play on a major UK stage, in a post-Empire reflection on what it means to be British in the light of the Windrush anniversary and as we leave the European Union.
Julius Caesar
6/10
Film version of the Royal Shakespeare Company's 2012 production of Shakespeare's fast-moving thriller. A vivid story about a struggle for democracy, Julius Caesar is also a love story between two men united by an explosive act of political violence. The setting is a modern African state in which the tyrant Caesar is about to seize power. Cassius persuades Brutus to join the conspirators plotting an assassination. Featuring a distinguished cast of black actors, the film is shot on location and in the RSC's theatre at Stratford-upon-Avon
National Theatre Live: Julius Caesar
8/10
Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
Women Make Film: A New Road Movie Through Cinema
7.7/10
As told through clips from 183 female directors, this epic history of the cinema focuses on women’s integral role in the development of film art. Using almost a thousand film extracts from thirteen decades and five continents, Mark Cousins asks how films are made, shot and edited; how stories are shaped and how movies depict life, love, politics, humour and death, all through the compelling lens of some of the world’s greatest filmmakers – all of them women.
What My Mother Told Me
7.2/10
Exquisitely beautiful and profoundly moving, What My Mother Told Me is a dramatic journey towards self discovery. The story focuses on Jesse, a young woman from England, who goes to Trinidad to bury her father. Reluctantly she agrees to meet her mother, whom she thought had abandoned her when she was a child. Her mother tells her stories, revealing a troubled and violent marriage, and Jesse is forced to face the truth about her past.
A Prayer Before Birth
A drama based on the director's experience of coming to terms with multiple sclerosis. 'A Prayer Before Birth' chronicles, with disturbing intensity, the physical and emotional traumas of a young woman's journey from able-bodied exuberance to the acceptance of disability. Rejecting the objective worthiness often associated with such subject matter, the filmmaker opts instead for an escalating sequence of symbolic and impressionistic images to convey the increasing sense of unreality as the disease inexorably enters her daily life. Confronts debilitating illness with creative vitality, simultaneously desperate and defiant.
Inside the Orange Revolution
TV documentary about the 2004 Orange Revolution (Maidan) in Ukraine. Made in 2005 for the BBC by October Films (UK).
