The best Aditya Srivastava’s movies
We present our ranking of the best Aditya Srivastava’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Aditya Srivastava.
Saaho
5/10
A battle for power ensues as warring gangters thrive to gain possession of a "black box" that can make them richer than they already are, and an undercover cop intervenes with the help of his sharp intellect and an instinct to kill.
Black Friday
8.4/10
Bombs tear through Bombay, wreaking havoc and polarising the citizens. With perpetrators at large, the state launches a massive drive to unmask the truth behind these events.
Haseen Dillruba
6.9/10
Under investigation as a suspect in her husband's murder, a wife reveals details of their thorny marriage that seem to only further blur the truth.
Raat Akeli Hai
7.2/10
When a newly married landlord is murdered, a misfit cop’s investigation is complicated by the victim’s secretive family and his own conflicted heart.
Lakshya
7.8/10
An aimless, jobless, irresponsible grown man joins the army and matures into a battlefield hero.
Super 30
7.9/10
Based on life of Patna-based mathematician Anand Kumar who runs the famed Super 30 program for IIT aspirants in Patna.
Dil Se..
7.5/10
Journalist Amar falls for a mysterious woman on an assignment, but she does not reciprocate his feelings. However, when Amar is about to get married, the woman shows up at his doorstep asking for help.
Saathiya
6.8/10
A couple elopes to get married and set up home hoping that just love will do the trick - but that's just the beginning of their story.
Satya
8.3/10
A young man named Satya comes to Mumbai from South India in search of a job. Jailed for something he did not do, the once-honest young man meets an underworld boss, Bhiku Mhatre in jail and joins his gang.
Bandit Queen
7.5/10
Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phooland Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.
Kaalo
3.8/10
Kaalo is a Hindi horror film, directed by Wilson Louis and produced by Yash Patnaik, Mamta Patnaik and Dhaval Gada. The film was released on 17 December 2010 under the Beyond Dreams Entertainment Ltd. banner. It Is loosely based on the 1990 American science fiction horror comedy film Tremors
Aalwar
2.9/10
Aalwar is a traditional priest. He is devoted to his mother and sister. But the villainous elements Lal, Vincent Asokan, kill the sister and mother. Aalwar, with revenge ringing in his mind, ends up as Shiva the killer, even while working as a ward boy in a hospital. Shiva is out to make a statement against the venal forces. He sees himself as some kind of avatar — in fact, he bumps off the baddies under the get-up's of Lord Rama and Lord Krishna. In climax, Shiva turns up as Lord Narasimha and bumps off the last villain by placing him on his thighs and ripping apart his bowels and chest with his sharp claws.
Ek Hasina Thi
7.5/10
A woman falls for a charming and mysterious businessman. The whirlwind romance turns sour when she is framed for his underworld crimes. Now, finally out of prison she is ready for sweet revenge.
Gulaal
8/10
A law student witnesses the struggles of the Rajputs, deception, homicide and crime after being elected as General Secretary of his college.
Paanch
7.6/10
Kidnapping plot gone wrong when four friends plans to kidnap their own friend who accidentally got killed.
Julie 2
2.2/10
Julie, a simpleton, follows through with her dream of becoming an actress and rises to stardom. However, she is soon introduced to the murky waters of the entertainment industry. She begins to compromise on her choices and seeks love from the men in her life. Just as she decides to change paths, she is offered a political biopic that further complicates her life.
Sanshodhan
7.4/10
The amendment in the law, making it compulsory for one-third of the Gram Panchayat representatives to be women, is not received favourably by the ruling Sarpanch of the village, Thakur Ratan Singh. Although he puts up a front of being in favour of the idea, along with his son Inder Singh, he conspires to field wives of friends, whom he hopes he can control through their husbands and through the caste network. Vidya, wife of Bhanwar Singh who is indebted to the Thakur, is one of the newly elected women Panchayat members. Vidya, who is educated, notices that the political empowerment of women is only on paper and in reality decision-making still continues to be with the manipulative old guard. Vidya decides it is time for a change.
