The best Adam LeFevre’s crime movies

A mouthy and feisty taxicab driver has hot tips for a green and inept cop set on solving a string of New York City bank robberies committed by a quartet of female Brazilian bank robbers.

A young man is a reformed gambler who must return to playing big stakes poker to help a friend pay off loan sharks.

Caroline and Lloyd are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. The gunman is Gus, a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion.

After his mistress runs over a black teen, a Wall Street hotshot sees his life unravel in the spotlight; A down-and-out reporter breaks the story and opportunists clamber to use it to their advantage.

In this biting and disturbing coming-of-age tale from writer-director Michael Cuesta, life is bittersweet along the L.I.E., also known as the Long Island Expressway, as suburban teen Howie Blitzer learns all too clearly. In the space of a week, he loses nearly everything and everyone he knows and is left to navigate his adolescence virtually unsupervised.

In the Philadelphia police department, Emmett Young is a hotshot, a workaholic newly promoted to homicide. He learns he has a disease that will soon kill him painfully, so he hires a stranger to arrange his own death. With one eye on the calendar (he's allowed a few days' grace before his murder), he pursues a final case, the serial killing of young women. Emmett develops a profile of the assailant. Meanwhile, his fixer hires an ex-cop to kill Emmett, a lonely security guard whom the fixer taunts and belittles. In this limited time, can Emmett sort out what's important? Written by