The best Abril Schreiber’s movies
Today we present the best Abril Schreiber’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Abril Schreiber’s movies.
Don't You Even Know Who I Am?
5.1/10
Is the fun story of Ricardo, an amateur comedian who tries to reach the fame by doing stand up comedy in Bogota bar's. He's heart broken because his girlfriend ended their relationship and is now with an older and richer man. With two friends, he decides that he must pretend to be someone of better social class in order to emerge in Colombian society. So Ricardo pretends to be a millionaire in social networks. But the problem begins when he meets and felt in love with Margarita, who believes he is the owner of a radio stations network.
Hounded on a Carnival Monday
4.6/10
In the small town of San Jorge, a 12- year-old girl watches in horror as her father, a local telegraph operator is thrown in prison by the local military dictatorship. Meanwhile, her mother, Florencia, must make tough moral decisions in order for them to survive under the political oppression. Even Carnival, with all its colorfulness and celebration, cant disguise the mounting tension between the villagers and government making the girls coming of age all the more difficult when the two collide. This movie combines attractive visual scenes with a highly sensual atmosphere as Florencia fights and uses all her resources and beauty to survive and find revenge.
Habana Instant
7.5/10
Marcelo Quevedo and his brother Carlos Quevedo were separated in childhood when Carlos left Cuba with his mother on a boat to seek a different life. Marcelo was left behind in Cuba burdened with the heavy duty of caring for his grandfather who was in poor health. Distance wasn’t the only issue that marked the separation of the two brothers; their mother couldn’t endure the rough trip and she died before the boat could reach its destination. More than twenty years later, Carlos Quevedo decides to return to Cuba to see his brother only to find that he is now stricken with ALS, a terminal disease that slowly immobilizes him to the point of a vegetative state.
